Throughout most of the 20th century, before the refinement of the fundus camera, drawings were used to document retinal pathologies. This was done by both working ophthalmologists and by specialist artists. Among the latter, Terrence Tarrant reigned supreme, Richard Keeler, retired director of Keeler Optical and Honorary Curator of the Royal College of Ophthalmologists’ collection, considers Tarrant to be a “‘genius’ and the greatest ophthalmic artist of the last century.” We are privileged to be able offer one of his
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