Brendel field Ahorn

Brendel field Ahorn

Stock Number: 00 440207* S

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Circa

1870

Maker

Brendel

Country of manufacture

Germany

Categories: Scientific, Natural history

Description

A Brendel botanical model of the field Ahorn, or Acer campestre. The Brendel model of the field Ahorn is part of the ‘laubbäume und Nadelhölzer’ or deciduous trees and conifers series. It depicts the Male and the female blossom fifteen times enlarged. The flowers are made of paper mâché which are adjusted to green painted wooden stems. On one model de leaves are cut in half, allowing the viewer to watch the stamps carefully. The stems can are held by turned wooden ebonized holders which can be adjusted on an ebonized stand. The ‘Fruchtknoten’ or ovary is removable and to share apart. On the blue label the names of the no 48 field Ahorn are depicted in different languages.

In 1866 Robert Brendel (ca. 1821-1898) from Breslau took over the production the flower models. He was succeeded by his son Reinhold Brendel (ca. 1861-1927). In 1866, there were thirty models to choose from, and by 1913, there were nearly 300. The models were developed in consultation with professors including Julius Cohn, Eduard Eidam, Alexander Tschirch, Leopold Kny, Carl Müller, Emerich Ratháy, Lajos Jurányi, and G. Höstermann. They are made of various materials, such as papier-mâché, wood, metal wire, and glass beads.

Height: 48 cm.

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NL Van Leest Antiques

Van Leest Antiques

Van Leest Antiques, based in Utrecht in the Netherlands, specialises in antique scientific and medical instruments. Their collection covers mainly scientific and medical antique instruments: barometers, globes and planataria, nautical instruments, anatomical models, and pharmacy items. Toon Van Leest travels regularly in Europe and visits trade fairs, auctions, and antique dealers to collect stock and to find pieces to fulfil his clients' unusual requests.

As well as being an avid antique collector and dealer, Toon Van Leest is also a dentist. He believes that antiques are a stable investment, not reliant on trends or fashion, and have truly lasting value. Above all, he says, antiques are timeless and never lose their beauty.